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foam-bible: Maison Martin Margiela artisanal F/W 2012 My Edit

Sat, 18 May 2013 20:52:52 +0200

foam-bible:

Maison Martin Margiela artisanal F/W 2012

My Edit

generation4terrorists: me on the first day of spring tbh

Sat, 18 May 2013 18:44:01 +0200

generation4terrorists:

me on the first day of spring tbh

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Sat, 18 May 2013 15:00:37 +0200

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Sat, 18 May 2013 12:23:39 +0200

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Sat, 18 May 2013 12:20:18 +0200

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Sat, 18 May 2013 12:10:46 +0200

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Sat, 18 May 2013 12:07:54 +0200

garcode: Issey Miyake SS 1985 “Seashell” or “Shell-knit”...

Sat, 18 May 2013 12:03:22 +0200

garcode:

Issey Miyake SS 1985 “Seashell” or “Shell-knit” coat

“Consistently attentive to cloth’s interplay with the human body, by 1985 Issey Miyake was becoming more artificial in his dimensionality, building architectural shapes and infusing the structures of his textiles with permanence and solidity. Miyake manufactured several heat-embossing and texturing processes through the Miyake Design Studio collective (established in 1970) and, alongside designer Makiko Minagawa, manipulated knitwear and synthetics after a garment was constructed by infusing pleats and bumps into otherwise tranquil weaves. The “Seashell” coat, also sometimes referred to as the “Shell-knit,” is one of his most celebrated and independently iconic creations, with a heat-pleating post-process that coincides with the bands of color in the initial knit design. The organic architecture of the “Seashell” coat, as well as the visual splendor of alternate red, lavender, and pink stripes running between elegant gray ribbing, seems inspired by the designer’s 1969 apprenticeship with cloth sculptor and design genius Geoffrey Beene.”